Difference between revisions of "Everything I Have Is Yours"

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(Credits)
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A Film by<br/>
 
A Film by<br/>
 
Eileen Simpson & Ben White (Open Music Archive)
 
Eileen Simpson & Ben White (Open Music Archive)
+
 
 
Chas Baker – vocals<br/>
 
Chas Baker – vocals<br/>
 
Norman Beaker – guitar<br/>
 
Norman Beaker – guitar<br/>
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Manchester School of Art at Manchester Metropolitan University
 
Manchester School of Art at Manchester Metropolitan University
  
John Ashbrook<br/>
+
John Ashbrook, Big Fish Rentals, Astrid Bin, Richard Bradbury, Linda Brogan, Melissa Burnand · Jam Street Cafe Simon Chaplin, Barry Daykin, Mel Dean, Drop City Lighting, Fac365, Gillian Fox, Timothy France, Anthony Gannon · All+, Calypso George, Bob Gill, Jonathan Green · Unity Radio, Josh King, John Mepham, Tamsin Middleton, Alex Morley, Niamos Arts Centre, NoDrama, Colin O’Toole, Dan Parrott and Brendan Williams · Low Four Studio, Nancy Porter, Derek Quinn, Pauline Renshaw, Trevor Roots, Teresa Simpson, Denise Southworth · Legacy FM, Liz Starkie, The Stoller Hall, Ashley Tidball, Helen White, Matthew White
Big Fish Rentals<br/>
 
Astrid Bin<br/>
 
Richard Bradbury<br/>
 
Linda Brogan<br/>
 
Melissa Burnand · Jam Street Cafe Simon Chaplin<br/>
 
Barry Daykin<br/>
 
Mel Dean<br/>
 
Drop City Lighting<br/>
 
Fac365<br/>
 
Gillian Fox<br/>
 
Timothy France<br/>
 
Anthony Gannon · All+<br/>
 
Calypso George<br/>
 
Bob Gill<br/>
 
Jonathan Green · Unity Radio<br/>
 
Josh King<br/>
 
John Mepham<br/>
 
Tamsin Middleton<br/>
 
Alex Morley<br/>
 
Niamos Arts Centre<br/>
 
NoDrama<br/>
 
Colin O’Toole<br/>
 
Dan Parrott and Brendan Williams · Low Four Studio<br/>
 
Nancy Porter<br/>
 
Derek Quinn<br/>
 
Pauline Renshaw<br/>
 
Trevor Roots<br/>
 
Teresa Simpson<br/>
 
Denise Southworth · Legacy FM<br/>
 
Liz Starkie<br/>
 
The Stoller Hall<br/>
 
Ashley Tidball<br/>
 
Helen White<br/>
 
Matthew White
 

Revision as of 15:45, 9 April 2020

Background

Everything I Have Is Yours is an ambitious film and sound work by Eileen Simpson and Ben White (Open Music Archive) that looks back to the first decade of the UK pop charts (1952-62). Working with a group of older musicians – many of whom are the ‘original teenagers’ of the Greater Manchester music scene, now in their 70s and 80s – this film focuses on this diverse group as they re-engage with public-domain samples from the formative era of the ‘birth of pop’, and incorporate these timeless sounds into new musical creations.

When the musicians play, they individually and collectively interact with digital technology, recalling archive sounds ripped from 1950s and early 1960s shellac and vinyl chart hits. Copyright-controlled elements of the original records are separated out and copyright-expired samples are released through an algorithmic process to enable collective use for the project and for future sharing.

What results is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.

Photos

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Texts

The texts in this collection each respond to Everything I Have Is Yours (2019) by Eileen Simpson and Ben White (Open Music Archive), an artists’ film that takes as a starting point records produced during the first decade of the UK pop charts – 1952 to 1962 – and experimentally repurposes them in an on-going exploration of the limits of sampling and the possibilities of live collaboration.

Read Texts


Credits

A Film by
Eileen Simpson & Ben White (Open Music Archive)

Chas Baker – vocals
Norman Beaker – guitar
Max Beesley – drums
Roger Browne – piano
Stewart Butler – baritone sax
Tony Chess – drums and djembe Maureen Donahue – vocals
Mike Farmer – tenor sax
Peter Fox – guitar and vocals
Bo Lee – bass guitar
Jill MacDonald – vocals
Jean Martin – vocals
Paul Medina – double bass and trombone Bruce Mitchell – drums
Richard Piggo – guitar
Roy Rigby – guitar

Commissioners / Executive Producers
Film and Video Umbrella University of Salford Art Collection Castle eld Gallery

Producer
Laura Shacham

Assistant Producer
Polly Wright

Casting Producer
Claire Bleasdale

Additional Casting
Open Music Archive Laura Shacham Polly Wright

Director of Photography
Jamie Kennerley

1st Assistant Camera / Focus Puller
Sean Beasley

2nd Assistant Camera
Josh Haigherty

Additional Cinematography
Jonas Mortensen

Grip
Rick Grif ths Jon Head

Gaffer
Mark Rickitts Dan Tunstall

Lighting Technician
Simeon Ogden · The Stoller Hall

Sound Engineer
Lee Aston Brendan Williams

Stylist
Ianthe Wright

On-set stylist
Lily Austin Lou Hall

Hair & Make-Up
Katy Brody

Production Assistants
Adam Douglas Hannah Jupe Daniel Newport Joseph Preston

Sound Mix
Lee Aston Brendan Williams Low Four Studios

Additional VFX
Matt Wilmshurst

Colourist
Max Ferguson-Hook · Time Based Arts

The artists would like to thank the following individuals and organisations who supported the production of the film: Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery

University of Salford, TV Studios
Queen Mary University of London
Manchester School of Art at Manchester Metropolitan University

John Ashbrook, Big Fish Rentals, Astrid Bin, Richard Bradbury, Linda Brogan, Melissa Burnand · Jam Street Cafe Simon Chaplin, Barry Daykin, Mel Dean, Drop City Lighting, Fac365, Gillian Fox, Timothy France, Anthony Gannon · All+, Calypso George, Bob Gill, Jonathan Green · Unity Radio, Josh King, John Mepham, Tamsin Middleton, Alex Morley, Niamos Arts Centre, NoDrama, Colin O’Toole, Dan Parrott and Brendan Williams · Low Four Studio, Nancy Porter, Derek Quinn, Pauline Renshaw, Trevor Roots, Teresa Simpson, Denise Southworth · Legacy FM, Liz Starkie, The Stoller Hall, Ashley Tidball, Helen White, Matthew White