Difference between revisions of "Everything I Have Is Yours"
Line 58: | Line 58: | ||
== Credits == | == Credits == | ||
− | A | + | '''A film by'''<br/> |
Eileen Simpson & Ben White (Open Music Archive) | Eileen Simpson & Ben White (Open Music Archive) | ||
Line 76: | Line 76: | ||
Roy Rigby – guitar | Roy Rigby – guitar | ||
− | Commissioners / Executive Producers<br/> | + | '''Commissioners / Executive Producers'''<br/> |
Film and Video Umbrella University of Salford Art Collection Castle eld Gallery | Film and Video Umbrella University of Salford Art Collection Castle eld Gallery | ||
− | Producer<br/> | + | '''Producer'''<br/> |
Laura Shacham | Laura Shacham | ||
− | Assistant Producer<br/> | + | '''Assistant Producer'''<br/> |
Polly Wright | Polly Wright | ||
− | Casting Producer<br/> | + | '''Casting Producer'''<br/> |
Claire Bleasdale | Claire Bleasdale | ||
− | Additional Casting<br/> | + | '''Additional Casting'''<br/> |
Open Music Archive Laura Shacham Polly Wright | Open Music Archive Laura Shacham Polly Wright | ||
− | Director of Photography<br/> | + | '''Director of Photography'''<br/> |
Jamie Kennerley | Jamie Kennerley | ||
− | 1st Assistant Camera / Focus Puller<br/> | + | '''1st Assistant Camera / Focus Puller'''<br/> |
Sean Beasley | Sean Beasley | ||
− | 2nd Assistant Camera<br/> | + | '''2nd Assistant Camera'''<br/> |
Josh Haigherty | Josh Haigherty | ||
− | Additional Cinematography<br/> | + | '''Additional Cinematography'''<br/> |
Jonas Mortensen | Jonas Mortensen | ||
− | Grip<br/> | + | '''Grip'''<br/> |
Rick Grif ths Jon Head | Rick Grif ths Jon Head | ||
− | Gaffer<br/> | + | '''Gaffer'''<br/> |
Mark Rickitts Dan Tunstall | Mark Rickitts Dan Tunstall | ||
− | Lighting Technician<br/> | + | '''Lighting Technician'''<br/> |
Simeon Ogden · The Stoller Hall | Simeon Ogden · The Stoller Hall | ||
− | Sound | + | '''Sound Enginee'''r<br/> |
Lee Aston Brendan Williams | Lee Aston Brendan Williams | ||
− | Stylist<br/> | + | '''Stylist'''<br/> |
Ianthe Wright | Ianthe Wright | ||
− | On-set stylist<br/> | + | '''On-set stylist'''<br/> |
Lily Austin Lou Hall | Lily Austin Lou Hall | ||
− | Hair & Make-Up<br/> | + | '''Hair & Make-Up'''<br/> |
Katy Brody | Katy Brody | ||
− | Production Assistants<br/> | + | '''Production Assistants'''<br/> |
Adam Douglas Hannah Jupe Daniel Newport Joseph Preston | Adam Douglas Hannah Jupe Daniel Newport Joseph Preston | ||
− | Sound Mix<br/> | + | '''Sound Mix'''<br/> |
Lee Aston Brendan Williams Low Four Studios | Lee Aston Brendan Williams Low Four Studios | ||
− | Additional VFX<br/> | + | '''Additional VFX'''<br/> |
Matt Wilmshurst | Matt Wilmshurst | ||
− | Colourist<br/> | + | '''Colourist'''<br/> |
Max Ferguson-Hook · Time Based Arts | Max Ferguson-Hook · Time Based Arts | ||
− | The artists would like to thank the following individuals and organisations who supported the production of the film: | + | '''The artists would like to thank the following individuals and organisations who supported the production of the film:''' |
+ | |||
Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery | Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery | ||
Revision as of 14:47, 9 April 2020
Background
Everything I Have Is Yours is an ambitious film and sound work by Eileen Simpson and Ben White (Open Music Archive) that looks back to the first decade of the UK pop charts (1952-62). Working with a group of older musicians – many of whom are the ‘original teenagers’ of the Greater Manchester music scene, now in their 70s and 80s – this film focuses on this diverse group as they re-engage with public-domain samples from the formative era of the ‘birth of pop’, and incorporate these timeless sounds into new musical creations.
When the musicians play, they individually and collectively interact with digital technology, recalling archive sounds ripped from 1950s and early 1960s shellac and vinyl chart hits. Copyright-controlled elements of the original records are separated out and copyright-expired samples are released through an algorithmic process to enable collective use for the project and for future sharing.
What results is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.
Photos
Texts
The texts in this collection each respond to Everything I Have Is Yours (2019) by Eileen Simpson and Ben White (Open Music Archive), an artists’ film that takes as a starting point records produced during the first decade of the UK pop charts – 1952 to 1962 – and experimentally repurposes them in an on-going exploration of the limits of sampling and the possibilities of live collaboration.
Credits
A film by
Eileen Simpson & Ben White (Open Music Archive)
Chas Baker – vocals
Norman Beaker – guitar
Max Beesley – drums
Roger Browne – piano
Stewart Butler – baritone sax
Tony Chess – drums and djembe Maureen Donahue – vocals
Mike Farmer – tenor sax
Peter Fox – guitar and vocals
Bo Lee – bass guitar
Jill MacDonald – vocals
Jean Martin – vocals
Paul Medina – double bass and trombone Bruce Mitchell – drums
Richard Piggo – guitar
Roy Rigby – guitar
Commissioners / Executive Producers
Film and Video Umbrella University of Salford Art Collection Castle eld Gallery
Producer
Laura Shacham
Assistant Producer
Polly Wright
Casting Producer
Claire Bleasdale
Additional Casting
Open Music Archive Laura Shacham Polly Wright
Director of Photography
Jamie Kennerley
1st Assistant Camera / Focus Puller
Sean Beasley
2nd Assistant Camera
Josh Haigherty
Additional Cinematography
Jonas Mortensen
Grip
Rick Grif ths Jon Head
Gaffer
Mark Rickitts Dan Tunstall
Lighting Technician
Simeon Ogden · The Stoller Hall
Sound Engineer
Lee Aston Brendan Williams
Stylist
Ianthe Wright
On-set stylist
Lily Austin Lou Hall
Hair & Make-Up
Katy Brody
Production Assistants
Adam Douglas Hannah Jupe Daniel Newport Joseph Preston
Sound Mix
Lee Aston Brendan Williams Low Four Studios
Additional VFX
Matt Wilmshurst
Colourist
Max Ferguson-Hook · Time Based Arts
The artists would like to thank the following individuals and organisations who supported the production of the film:
Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery
University of Salford, TV Studios
Queen Mary University of London
Manchester School of Art at Manchester Metropolitan University
John Ashbrook, Big Fish Rentals, Astrid Bin, Richard Bradbury, Linda Brogan, Melissa Burnand · Jam Street Cafe Simon Chaplin, Barry Daykin, Mel Dean, Drop City Lighting, Fac365, Gillian Fox, Timothy France, Anthony Gannon · All+, Calypso George, Bob Gill, Jonathan Green · Unity Radio, Josh King, John Mepham, Tamsin Middleton, Alex Morley, Niamos Arts Centre, NoDrama, Colin O’Toole, Dan Parrott and Brendan Williams · Low Four Studio, Nancy Porter, Derek Quinn, Pauline Renshaw, Trevor Roots, Teresa Simpson, Denise Southworth · Legacy FM, Liz Starkie, The Stoller Hall, Ashley Tidball, Helen White, Matthew White