Difference between revisions of "Future Projects"

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(Open House | Divided Estates - Hiroshima MOCA, Japan)
(Open House | Divided Estates - Hiroshima MOCA, Japan)
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[[File:Baragan-sound-system.jpg|600px]]
 
[[File:Baragan-sound-system.jpg|600px]]
  
[[Open_House_Divided_Estates|Open House | Divided Estates]] will be shown at [http://www.hiroshima-moca.jp/main_e/ Hiroshima MOCA] in late 2014 as part of a video art programme curated by Yukie Kamiya.
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[[Open_House_Divided_Estates|Open House | Divided Estates]] will be shown at [http://www.hiroshima-moca.jp/main_e/ Hiroshima MOCA] in late 2014 as part of a programme curated by Yukie Kamiya.
  
 
''More info coming soon.''
 
''More info coming soon.''

Revision as of 12:14, 15 July 2014

Open House | Divided Estates - Hiroshima MOCA, Japan

Baragan-sound-system.jpg

Open House | Divided Estates will be shown at Hiroshima MOCA in late 2014 as part of a programme curated by Yukie Kamiya.

More info coming soon.

Auditory Learning (working title)

Emi-window.jpg

We're currently working on a film project with support from MIRIAD and developed with support from FLAMIN and Arts Council England

Building on the pilot project The Brilliant and the Dark, Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes excavated from public domain recordings.

This hauntological experiment explores the politics of the beginnings of the recording industry at a time when emerging models of peer-to-peer distribution and collaborative production are urgently problematizing established notions around the authorship, ownership and distribution of culture.

The project will announce the release of newly copyright-expired work into the public domain and will be copyleft licensed – so, like its public domain sources remains free for distribution and reuse in the future.