Difference between revisions of "Pre-release"
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+ | [[Image:PublicMonument-1.jpg|150px]][[Image:PublicMonument-2.jpg|150px]][[Image:PublicMonument-3.jpg|150px]][[Image:PublicMonument-4.jpg|150px]][[Image:PublicMonument-5.jpg|150px]]<br/>[[Image:PublicMonument-6.jpg|150px]][[Image:PublicMonument-7.jpg|150px]][[Image:PublicMonument-8.jpg|150px]][[Image:PublicMonument-9.jpg|150px]][[Image:PublicMonument-10.jpg|150px]] | ||
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'''Open Music Archive'''<br/> | '''Open Music Archive'''<br/> | ||
'''''Pre-release''''' | '''''Pre-release''''' | ||
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In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks which define the limits of the public domain are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control. | In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks which define the limits of the public domain are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control. | ||
− | Pre-release optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain. | + | ''Pre-release'' optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain. |
− | The Pre-release radio programme was presented by [http://www.danscott.org.uk Dan Scott] | + | The ''Pre-release'' radio programme was presented by [http://www.danscott.org.uk Dan Scott] |
+ | Part of [http://shadowboxing.rca.ac.uk/ SHADOWBOXING]<br/> | ||
+ | 18 March - 3 April 2011<br/> | ||
+ | Royal College of Art | ||
− | == | + | |
+ | == Outline script notes and tracklisting for broadcast == | ||
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''recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)''<br/> | ''recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)''<br/> | ||
'''copyrights associated with this recording expired in 2014''' | '''copyrights associated with this recording expired in 2014''' | ||
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''recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/> | ''recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/> | ||
'''expired 2014''' | '''expired 2014''' | ||
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+ | You got to die someday – Lucille Bogan<br/> | ||
+ | ''written by Lucille Bogan (d. 1948)''<br/> | ||
+ | '''entered the public domain 2019''' | ||
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− | + | Poor Boy Blues – Ramblin’ Thomas <br/> | |
− | ''written by | + | ''written by Ramblin' Thomas (d. 1945)''<br/> |
− | ''' | + | '''proprietary interests in the music, lyrics and recording expired in 2016''' |
Latest revision as of 18:06, 11 April 2011
Open Music Archive
Pre-release
Recorded: Thursday 17th March 2011 (18:30 – 20:30)
Broadcast: scheduled for 2021
In response to Sean Dockray’s invitation to contribute to Public Monument, artists Eileen Simpson and Ben White produced a future public domain radio programme – projecting forward a selection of out-of-copyright archive music and recordings currently controlled under copyrights due to expire by the time of broadcast in the year 2021.
In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks which define the limits of the public domain are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control.
Pre-release optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain.
The Pre-release radio programme was presented by Dan Scott
Part of SHADOWBOXING
18 March - 3 April 2011
Royal College of Art
Outline script notes and tracklisting for broadcast
You’re listening to Open Music Archive pre-release with Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.
Chloe – Ben Webster
recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014
Worried and Evil Man Blues – Blind Boy Fuller
written by Blind Boy Fuller (d. 1941)
copyrights expired 2012
She’s funny that way – Buck Clayton
recorded 1953, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)
expired 2014
She’s funny that way – Ike Quebec
recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)
expired 2014
You got to die someday – Lucille Bogan
written by Lucille Bogan (d. 1948)
entered the public domain 2019
You’re listening to Open Music Archive pre-release. This public domain radio programme should not be broadcast until 1st January 2021.
Poor Boy Blues – Ramblin’ Thomas
written by Ramblin' Thomas (d. 1945)
proprietary interests in the music, lyrics and recording expired in 2016
Chloe – Benny Goodman
recorded 1937, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014
You’re Driving Me Crazy – Jess Stacey
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018
Police Station Blues – Peetie Wheatstraw
written by Peetie Wheatstraw (d. 1941)
expires 2012
99 Year Blues – Julius Daniel
written by Julius Daniel (d. 1947)
released into the public domain 2018
Nobody Knows You When You’re Down and Out – Jimmy Witherspoon (recorded 1962)
recorded 1962, written by Jimmy Cox (d. 1925)
proprietary interests in the music, lyrics and recording expired in 2013
Notice: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks. You’re listening to Open Music Archive pre-release.
My Buddy Blind Papa Lemon – King Solomon Hill (d. 1949)
written by King Solomon Hill (d. 1949)
copyrights in the music, lyrics and recording expired in expires: 2020
My Blue Heaven – Gene Austin
recorded 1928, music Walter Donaldson (d. 1947) lyrics George A. Whiting
copyrights expired 2018
My Blue Heaven – Fats Domino (recorded 1955)
recorded 1955, music Walter Donaldson (d. 1947) lyrics George A. Whiting
copyrights expired 2018
You’re Driving Me Crazy – Tito Rodriguez
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018
The Green Grass Grows All Around – Louis Jordan
music Harry Von Tilzer (d. 1946) lyrics William Jerome (d. 1932)
copyrights associated with this recording expired 2017
Yes Sir, That’s My Baby – Nat King Cole
recorded 1949, written by Walter Donaldson (d. 1947) and Gus Kahn
expired 2018
Yes Sir, That’s My Baby – Etta Jones
recorded 1960, written by Walter Donaldson (d. 1947) and Gus Kahn
expired 2018
Shave ‘em Dry – Lucille Bogan
written by Lucille Bogan (d. 1948)
entered the public domain 2019
'You’re listening to Open Music Archive pre-release part of Public Monument presented by me Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe.
Chloe – Henry “Red” Allen
recorded 1963, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014
Painting The Clouds With Sunshine – Gene Goldkette
recorded 1929, lyrics Al Dubin (d. 1945) music Joseph A. Burke (d. 1950)
released in the public domain 2021
Carolina In The Morning – Holywood Dance Orchestra
recorded 1922, music Walter Donaldson (d. 1947) lyrics Gus Kahn
expired 2018
You’re Driving Me Crazy – Ray Noble and His Orchestra with Al Bowlly
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018
You’re Driving Me Crazy – Guy Lombardo and his Royal Canadians
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018
Warning: This public domain radio programme should not be broadcast before 1st January 2021 in the UK and Europe.
Chloe – Fats Waller
recorded 1928, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014
Core ‘ngrato – Enrico Caruso
Salvatore Cardillo (d. 1947)
copyrights associated with this recording expired 2018
Tiptoe Through The Tulips – Nick Lucas
music Joseph A. Burke (d. 1950) lyrics Al Dubin (d. 1945)
proprietary interests in the music, lyrics and recording expired 2021
Goodnight Irene (live in texas) – Leadbelly
recorded 1949, written by Huddie William Ledbetter (d. 1949)
copyrights expired 2020
Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.
You’ve been listening to Open Music Archive – pre-release