Difference between revisions of "Pre-release"

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[[Image:PublicMonument-1.jpg|150px]][[Image:PublicMonument-2.jpg|150px]][[Image:PublicMonument-3.jpg|150px]][[Image:PublicMonument-4.jpg|150px]][[Image:PublicMonument-5.jpg|150px]]<br/>[[Image:PublicMonument-6.jpg|150px]][[Image:PublicMonument-7.jpg|150px]][[Image:PublicMonument-8.jpg|150px]][[Image:PublicMonument-9.jpg|150px]][[Image:PublicMonument-10.jpg|150px]]
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'''Open Music Archive'''<br/>
 
'''Open Music Archive'''<br/>
'''Pre-release'''
+
'''''Pre-release'''''
 +
 
 +
'''Recorded: Thursday 17th March 2011 (18:30 – 20:30)'''
  
'''Thursday 17th March 18:30 – 20:30'''
+
'''Broadcast: scheduled for 2021'''
  
In response to Sean Dockray’s invitation to contribute to ''Public Monument'', artists Eileen Simpson and Ben White have produced a future public domain radio programme – projecting forward a selection of out-of-copyright archive music and recordings currently controlled under copyrights that are due to expire by the time of broadcast in the year 2021.
+
In response to Sean Dockray’s invitation to contribute to [http://shadowboxing.rca.ac.uk/artists/sean-dockray/ Public Monument], artists Eileen Simpson and Ben White produced a future public domain radio programme – projecting forward a selection of out-of-copyright archive music and recordings currently controlled under copyrights due to expire by the time of broadcast in the year 2021.
 
   
 
   
In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks, which define the limits of the public domain, are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control.   
+
In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks which define the limits of the public domain are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control.   
 +
 
 +
''Pre-release'' optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain.
  
Pre-release optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain.
+
The ''Pre-release'' radio programme was presented by [http://www.danscott.org.uk Dan Scott]
  
The Pre-release radio programme is presented by [http://www.danscott.org.uk Dan Scott]
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Part of [http://shadowboxing.rca.ac.uk/ SHADOWBOXING]<br/>
 +
18 March - 3 April 2011<br/>
 +
Royal College of Art
  
  
== Script notes and tracklisting ==
+
== Outline script notes and tracklisting for broadcast ==
  
'''You’re listening to Open Music Archive pre-release with Dan Scott'''
 
  
 
----
 
----
  
'''Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.'''
+
'''You’re listening to Open Music Archive pre-release with Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.'''
  
 
----
 
----
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''recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)''<br/>
 
''recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)''<br/>
 
'''copyrights associated with this recording expired in 2014'''
 
'''copyrights associated with this recording expired in 2014'''
 
 
Poor Boy Blues – Ramblin’ Thomas <br/>
 
''written by Ramblin' Thomas (d. 1945)''<br/>
 
'''proprietary interests in the music, lyrics and recording expired in 2016'''
 
  
  
 
Worried and Evil Man Blues – Blind Boy Fuller<br/>
 
Worried and Evil Man Blues – Blind Boy Fuller<br/>
 
''written by Blind Boy Fuller (d. 1941)''<br/>
 
''written by Blind Boy Fuller (d. 1941)''<br/>
'''expired 2012'''
+
'''copyrights expired 2012'''
  
  
 
She’s funny that way – Buck Clayton <br/>
 
She’s funny that way – Buck Clayton <br/>
 
''recorded 1953, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/>
 
''recorded 1953, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/>
'''expires 2014'''
+
'''expired 2014'''
  
  
 
She’s funny that way – Ike Quebec<br/>
 
She’s funny that way – Ike Quebec<br/>
 
''recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/>
 
''recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)''<br/>
'''expires 2014'''
+
'''expired 2014'''
 +
 
 +
 
 +
You got to die someday – Lucille Bogan<br/>
 +
''written by Lucille Bogan (d. 1948)''<br/>
 +
'''entered the public domain 2019'''
  
  
 
----
 
----
  
'''Warning: This public domain radio programme should not be broadcast until 1st January 2021.'''  
+
'''You’re listening to Open Music Archive pre-release. This public domain radio programme should not be broadcast until 1st January 2021.'''  
  
 
----
 
----
  
  
You got to die someday Lucille Bogan<br/>
+
Poor Boy Blues Ramblin’ Thomas <br/>
''written by Lucille Bogan (d. 1948)''<br/>
+
''written by Ramblin' Thomas (d. 1945)''<br/>
'''entered the public domain 2019'''
+
'''proprietary interests in the music, lyrics and recording expired in 2016'''
  
  
Line 78: Line 85:
 
99 Year Blues – Julius Daniel<br/>
 
99 Year Blues – Julius Daniel<br/>
 
''written by Julius Daniel (d. 1947)''<br/>
 
''written by Julius Daniel (d. 1947)''<br/>
'''Released 2018'''
+
'''released into the public domain 2018'''
  
  
Line 88: Line 95:
 
----
 
----
  
'''Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.'''
+
'''Notice: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks. You’re listening to Open Music Archive pre-release.'''
  
 
----
 
----
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My Blue Heaven – Gene Austin<br/>
 
My Blue Heaven – Gene Austin<br/>
 
''recorded 1928, music Walter Donaldson (d. 1947) lyrics George A. Whiting''<br/>
 
''recorded 1928, music Walter Donaldson (d. 1947) lyrics George A. Whiting''<br/>
'''expires 2018'''
+
'''copyrights expired 2018'''
  
  
 
My Blue Heaven – Fats Domino (recorded 1955)<br/>
 
My Blue Heaven – Fats Domino (recorded 1955)<br/>
 
''recorded 1955, music Walter Donaldson (d. 1947) lyrics George A. Whiting''<br/>
 
''recorded 1955, music Walter Donaldson (d. 1947) lyrics George A. Whiting''<br/>
'''expires 2018'''
+
'''copyrights expired 2018'''
  
  
Line 120: Line 127:
 
Yes Sir, That’s My Baby – Nat King Cole<br/>
 
Yes Sir, That’s My Baby – Nat King Cole<br/>
 
''recorded 1949, written by Walter Donaldson (d. 1947) and Gus Kahn''<br/>
 
''recorded 1949, written by Walter Donaldson (d. 1947) and Gus Kahn''<br/>
'''expires 2018'''
+
'''expired 2018'''
  
  
 
Yes Sir, That’s My Baby – Etta Jones <br/>
 
Yes Sir, That’s My Baby – Etta Jones <br/>
 
''recorded 1960, written by Walter Donaldson (d. 1947) and Gus Kahn''<br/>
 
''recorded 1960, written by Walter Donaldson (d. 1947) and Gus Kahn''<br/>
'''expires 2018'''
+
'''expired 2018'''
  
  
Line 135: Line 142:
 
----
 
----
  
'''Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe.'''
+
''''You’re listening to Open Music Archive pre-release part of Public Monument presented by me Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe.'''
  
 
----
 
----
Line 152: Line 159:
 
Carolina In The Morning – Holywood Dance Orchestra<br/>
 
Carolina In The Morning – Holywood Dance Orchestra<br/>
 
''recorded 1922, music Walter Donaldson (d. 1947) lyrics Gus Kahn ''<br/>
 
''recorded 1922, music Walter Donaldson (d. 1947) lyrics Gus Kahn ''<br/>
'''expires 2018'''
+
'''expired 2018'''
  
  
Line 189: Line 196:
 
Goodnight Irene (live in texas) – Leadbelly<br/>
 
Goodnight Irene (live in texas) – Leadbelly<br/>
 
''recorded 1949, written by Huddie William Ledbetter (d. 1949)''<br/>
 
''recorded 1949, written by Huddie William Ledbetter (d. 1949)''<br/>
'''expires 2020'''
+
'''copyrights expired 2020'''
  
  
 
----
 
----
  
'''You’ve been listening to Open Music Archive – pre-release'''  
+
'''Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.'''
 +
 
 +
'''You’ve been listening to Open Music Archive – pre-release'''
  
 
----
 
----
 
'''Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.'''
 

Latest revision as of 18:06, 11 April 2011

PublicMonument-1.jpgPublicMonument-2.jpgPublicMonument-3.jpgPublicMonument-4.jpgPublicMonument-5.jpg
PublicMonument-6.jpgPublicMonument-7.jpgPublicMonument-8.jpgPublicMonument-9.jpgPublicMonument-10.jpg

Open Music Archive
Pre-release

Recorded: Thursday 17th March 2011 (18:30 – 20:30)

Broadcast: scheduled for 2021

In response to Sean Dockray’s invitation to contribute to Public Monument, artists Eileen Simpson and Ben White produced a future public domain radio programme – projecting forward a selection of out-of-copyright archive music and recordings currently controlled under copyrights due to expire by the time of broadcast in the year 2021.

In 2011 in the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 years from the date of recording. Once this bundle of proprietary rights expires, a music recording enters the public domain and is held in common. The legal frameworks which define the limits of the public domain are by no means fixed. The future of the public domain is precarious – the field of culture is increasingly colonised for private interests as proprietors of intellectual property continually lobby for the extension of their control.

Pre-release optimistically opens up a future channel for public domain material beyond individual proprietary and commercial interests – a truly free broadcast for an imminent public domain.

The Pre-release radio programme was presented by Dan Scott

Part of SHADOWBOXING
18 March - 3 April 2011
Royal College of Art


Outline script notes and tracklisting for broadcast


You’re listening to Open Music Archive pre-release with Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.



Chloe – Ben Webster
recorded 1940, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014


Worried and Evil Man Blues – Blind Boy Fuller
written by Blind Boy Fuller (d. 1941)
copyrights expired 2012


She’s funny that way – Buck Clayton
recorded 1953, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)
expired 2014


She’s funny that way – Ike Quebec
recorded 1944, music Charles N. Daniels (d. 1943) lyrics Richard A. Whiting (d. 1938)
expired 2014


You got to die someday – Lucille Bogan
written by Lucille Bogan (d. 1948)
entered the public domain 2019



You’re listening to Open Music Archive pre-release. This public domain radio programme should not be broadcast until 1st January 2021.



Poor Boy Blues – Ramblin’ Thomas
written by Ramblin' Thomas (d. 1945)
proprietary interests in the music, lyrics and recording expired in 2016


Chloe – Benny Goodman
recorded 1937, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014


You’re Driving Me Crazy – Jess Stacey
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018


Police Station Blues – Peetie Wheatstraw
written by Peetie Wheatstraw (d. 1941)
expires 2012


99 Year Blues – Julius Daniel
written by Julius Daniel (d. 1947)
released into the public domain 2018


Nobody Knows You When You’re Down and Out – Jimmy Witherspoon (recorded 1962)
recorded 1962, written by Jimmy Cox (d. 1925)
proprietary interests in the music, lyrics and recording expired in 2013



Notice: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks. You’re listening to Open Music Archive pre-release.



My Buddy Blind Papa Lemon – King Solomon Hill (d. 1949)
written by King Solomon Hill (d. 1949)
copyrights in the music, lyrics and recording expired in expires: 2020


My Blue Heaven – Gene Austin
recorded 1928, music Walter Donaldson (d. 1947) lyrics George A. Whiting
copyrights expired 2018


My Blue Heaven – Fats Domino (recorded 1955)
recorded 1955, music Walter Donaldson (d. 1947) lyrics George A. Whiting
copyrights expired 2018


You’re Driving Me Crazy – Tito Rodriguez
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018


The Green Grass Grows All Around – Louis Jordan
music Harry Von Tilzer (d. 1946) lyrics William Jerome (d. 1932)
copyrights associated with this recording expired 2017


Yes Sir, That’s My Baby – Nat King Cole
recorded 1949, written by Walter Donaldson (d. 1947) and Gus Kahn
expired 2018


Yes Sir, That’s My Baby – Etta Jones
recorded 1960, written by Walter Donaldson (d. 1947) and Gus Kahn
expired 2018


Shave ‘em Dry – Lucille Bogan
written by Lucille Bogan (d. 1948)
entered the public domain 2019



'You’re listening to Open Music Archive pre-release part of Public Monument presented by me Dan Scott. Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe.



Chloe – Henry “Red” Allen
recorded 1963, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014


Painting The Clouds With Sunshine – Gene Goldkette
recorded 1929, lyrics Al Dubin (d. 1945) music Joseph A. Burke (d. 1950)
released in the public domain 2021


Carolina In The Morning – Holywood Dance Orchestra
recorded 1922, music Walter Donaldson (d. 1947) lyrics Gus Kahn
expired 2018


You’re Driving Me Crazy – Ray Noble and His Orchestra with Al Bowlly
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018


You’re Driving Me Crazy – Guy Lombardo and his Royal Canadians
written by Walter Donaldson (d. 1947)
copyrights associated with this recording expired 2018



Warning: This public domain radio programme should not be broadcast before 1st January 2021 in the UK and Europe.



Chloe – Fats Waller
recorded 1928, music Charles N. Daniels (d. 1943) lyrics Gus Kahn (d. 1941)
copyrights associated with this recording expired in 2014


Core ‘ngrato – Enrico Caruso
Salvatore Cardillo (d. 1947)
copyrights associated with this recording expired 2018


Tiptoe Through The Tulips – Nick Lucas
music Joseph A. Burke (d. 1950) lyrics Al Dubin (d. 1945)
proprietary interests in the music, lyrics and recording expired 2021


Goodnight Irene (live in texas) – Leadbelly
recorded 1949, written by Huddie William Ledbetter (d. 1949)
copyrights expired 2020



Warning: This public domain radio programme should not be broadcast before all proprietary interests in the music, lyrics and recordings have expired – scheduled for 1st January 2021 in the UK and Europe. Terms for other jurisdictions may differ, please refer to your local legal frameworks.

You’ve been listening to Open Music Archive – pre-release