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	<id>http://www.openmusicarchive.org/projects/index.php?action=history&amp;feed=atom&amp;title=Once_Heard_Before</id>
	<title>Once Heard Before - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.openmusicarchive.org/projects/index.php?action=history&amp;feed=atom&amp;title=Once_Heard_Before"/>
	<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Once_Heard_Before&amp;action=history"/>
	<updated>2026-10-05T23:51:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Once_Heard_Before&amp;diff=8485&amp;oldid=prev</id>
		<title>Projects at 15:01, 14 April 2020</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Once_Heard_Before&amp;diff=8485&amp;oldid=prev"/>
		<updated>2020-04-14T15:01:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:01, 14 April 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;27 August 2019 – 5 January 2020&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;27 August 2019 – 5 January 2020&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;From the dance floor anthem to scratchy recordings of the blues, the history of popular music is a source of rich inspiration for successive generations. For this commission, artists Eileen Simpson and Ben White (both b.1977, UK) collaborated with a group of young musicians and Spotlight Youth Centre in East London to produce a call and response that activates past, present and future sounds. Referencing the history of sample culture the sound work &lt;/del&gt;''Once Heard Before'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(2019) features &lt;/del&gt;young beat-makers and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;emcees &lt;/del&gt;who mutate &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;hit &lt;/del&gt;records from the 1950s and 1960s &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;into new sounds&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Once Heard Before'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;has been developed with a group of &lt;/ins&gt;young beat-makers&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;MCs from east London, &lt;/ins&gt;who mutate &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;fragments of sounds and lyrics&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;ripped from top ten &lt;/ins&gt;records from the 1950s and 1960s&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Their sound work&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;features on a series of lathe-cut records, presented alongside a video of&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;their rap performances&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Also showing is their film ''&lt;/del&gt;Everything I Have Is Yours&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' (2019), featuring &lt;/del&gt;musicians &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;from Greater &lt;/del&gt;Manchester, now in their 70s and 80s&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. Shot in a space between a recording studio and live venue&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the camera tracks the assembled musicians as they interact with &lt;/del&gt;samples that have been extracted from &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1950s and 1960s &lt;/del&gt;UK chart hits&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. The copyright-expired  elements &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the original records are separated out through an algorithmic process, to enable collective use and sharing&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Filmed inside an anechoic chamber and composed of sounds gleaned&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;from chart hit records from 1962, Auditory Learning focuses on the&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;materiality of voice. Due to copyright laws, only auditory sound has been&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;used and juxtaposed with improvised vocalisations. &lt;/ins&gt;Everything I Have&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Is Yours &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;brings together &lt;/ins&gt;musicians &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;connected to the &lt;/ins&gt;Manchester &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;music&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;scene&lt;/ins&gt;, now in their 70s and 80s, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;inviting them to respond to &lt;/ins&gt;samples that&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;have been extracted from UK chart hits of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;their teenage years&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Working at the intersection of art&lt;/del&gt;, music and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;digital &lt;/del&gt;technologies, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Eileen Simpson and Ben White explore authorship, ownership and distribution in art. Founders &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Open Music Archive, they source, digitise and distribute out-of-copyright sound recordings to spark collaborative projects and free exchanges&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In these works&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;source material morphs into new creative outputs: artists&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and performers imagine a new &lt;/ins&gt;music &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;vocabulary, across generations &lt;/ins&gt;and&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;technologies, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;towards an archive &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;future sounds&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Projects</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Once_Heard_Before&amp;diff=8457&amp;oldid=prev</id>
		<title>Projects: Created page with &quot;Commission&lt;br/&gt; Eileen Simpson and Ben White (Open Music Archive): Once Heard Before  Whitechapel Gallery&lt;br/&gt; 77-82 Whitechapel High St&lt;br/&gt; London&lt;br/&gt; E1 7QX  27 August 201...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Once_Heard_Before&amp;diff=8457&amp;oldid=prev"/>
		<updated>2020-04-09T16:01:37Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Commission&amp;lt;br/&amp;gt; Eileen Simpson and Ben White (Open Music Archive): Once Heard Before  Whitechapel Gallery&amp;lt;br/&amp;gt; 77-82 Whitechapel High St&amp;lt;br/&amp;gt; London&amp;lt;br/&amp;gt; E1 7QX  27 August 201...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Commission&amp;lt;br/&amp;gt;&lt;br /&gt;
Eileen Simpson and Ben White (Open Music Archive): Once Heard Before&lt;br /&gt;
&lt;br /&gt;
Whitechapel Gallery&amp;lt;br/&amp;gt;&lt;br /&gt;
77-82 Whitechapel High St&amp;lt;br/&amp;gt;&lt;br /&gt;
London&amp;lt;br/&amp;gt;&lt;br /&gt;
E1 7QX&lt;br /&gt;
&lt;br /&gt;
27 August 2019 – 5 January 2020&lt;br /&gt;
&lt;br /&gt;
From the dance floor anthem to scratchy recordings of the blues, the history of popular music is a source of rich inspiration for successive generations. For this commission, artists Eileen Simpson and Ben White (both b.1977, UK) collaborated with a group of young musicians and Spotlight Youth Centre in East London to produce a call and response that activates past, present and future sounds. Referencing the history of sample culture the sound work ''Once Heard Before'' (2019) features young beat-makers and emcees who mutate hit records from the 1950s and 1960s into new sounds.&lt;br /&gt;
&lt;br /&gt;
Also showing is their film ''Everything I Have Is Yours'' (2019), featuring musicians from Greater Manchester, now in their 70s and 80s. Shot in a space between a recording studio and live venue, the camera tracks the assembled musicians as they interact with samples that have been extracted from 1950s and 1960s UK chart hits. The copyright-expired  elements of the original records are separated out through an algorithmic process, to enable collective use and sharing.&lt;br /&gt;
&lt;br /&gt;
Working at the intersection of art, music and digital technologies, Eileen Simpson and Ben White explore authorship, ownership and distribution in art. Founders of the Open Music Archive, they source, digitise and distribute out-of-copyright sound recordings to spark collaborative projects and free exchanges.&lt;/div&gt;</summary>
		<author><name>Projects</name></author>
	</entry>
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