<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>http://www.openmusicarchive.org/projects/index.php?action=history&amp;feed=atom&amp;title=Parallel_Anthology_Track_16</id>
	<title>Parallel Anthology Track 16 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.openmusicarchive.org/projects/index.php?action=history&amp;feed=atom&amp;title=Parallel_Anthology_Track_16"/>
	<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;action=history"/>
	<updated>2026-10-06T05:15:09Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=7049&amp;oldid=prev</id>
		<title>Mattwhiteski at 16:29, 12 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=7049&amp;oldid=prev"/>
		<updated>2013-07-12T16:29:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:29, 12 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Alternative Versions ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Alternative Versions ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; '''Charles Guiteau''' ''by Ramblin' Jack Elliott''    recorded between 1952 and 1955 (according to album title): [http://open.spotify.com/track/2pWYaKIHKz5EgRluJFwAOn Spotify]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; '' ''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; ''Unable to find whether Elliott claimed arrangement credit''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; '''Charles Guiteau''' ''by Virgil Sturgill''    recorded in 1955 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;amp;fieldshow=multi&amp;amp;amp;field_14=recording&amp;amp;amp;field_20=444&amp;amp;amp;op_10=notempty&amp;amp;amp;op_9=and&amp;amp;amp;start=11&amp;amp;amp;output=Record&amp;amp;access=off RFSI]): [http://open.spotify.com/track/2W5YjBIOlB1EMMR2qVrX3H Spotify]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; '' ''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; ''Unable to find whether any arrangement credit is claimed for this version''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  '''Charles Guiteau''' ''by Mr. L.O. Smith''    recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=478 Max Hunter Collection]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  '''Charles Guiteau''' ''by Mr. L.O. Smith''    recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=478 Max Hunter Collection]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6940&amp;oldid=prev</id>
		<title>Mattwhiteski at 08:53, 11 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6940&amp;oldid=prev"/>
		<updated>2013-07-11T08:53:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:53, 11 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Alternative Versions ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; '''Charles Guiteau''' ''by Mr. L.O. Smith''    recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=478 Max Hunter Collection]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6660&amp;oldid=prev</id>
		<title>Mattwhiteski at 09:58, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6660&amp;oldid=prev"/>
		<updated>2013-06-28T09:58:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:58, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lyle Lofgren&lt;/del&gt;] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in' the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bob Waltz&lt;/ins&gt;] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in' the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=notempty&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query] returns several collected versions which pre-date Harrell's recording, dating as far back as 1907 and from a wide geographical area (Missouri, N Carolina, Oklahoma, W Virginia).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=notempty&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query] returns several collected versions which pre-date Harrell's recording, dating as far back as 1907 and from a wide geographical area (Missouri, N Carolina, Oklahoma, W Virginia).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The [http://en.wikipedia.org/wiki/Charles_Guiteau_%28song%29 wikipedia] page for this song describes it as &amp;quot;traditional&amp;quot; and &amp;quot;based on another old ballad, 'James A. Rogers'&amp;quot;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6656&amp;oldid=prev</id>
		<title>Mattwhiteski at 09:35, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6656&amp;oldid=prev"/>
		<updated>2013-06-28T09:35:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:35, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html Lyle Lofgren] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in' the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'&amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html Lyle Lofgren] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in' the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6655&amp;oldid=prev</id>
		<title>Mattwhiteski at 09:35, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6655&amp;oldid=prev"/>
		<updated>2013-06-28T09:35:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:35, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html Lyle Lofgren] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in'&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html Lyle Lofgren] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in' the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6654&amp;oldid=prev</id>
		<title>Mattwhiteski at 09:34, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6654&amp;oldid=prev"/>
		<updated>2013-06-28T09:34:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:34, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  [[File:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Icon_In_Copyright&lt;/del&gt;.jpg]] '''Track 16: Kelly Harrell - Charles Giteau'''   ''Victor 20797-A; Recorded in Camden, New Jersey,23.3.1927''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  [[File:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Icon_Public_Domain&lt;/ins&gt;.jpg]] '''Track 16: Kelly Harrell - Charles Giteau'''   ''Victor 20797-A; Recorded in Camden, New Jersey, 23.3.1927''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This song is written from the point of view of [http://en.wikipedia.org/wiki/Charles_Guiteau Charles Guiteau], assassin of President James A Garfield, executed for this crime in 1882.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to the [http://oldweirdamerica.wordpress.com/2009/02/23/16-charles-guiteau-by-kelly-harrell-and-the-virginia-string-band/ Old Weird America] blog, this song &amp;quot;originated as a printed broadside and have been taken in folk tradition ever since. It was written in a form of a 'goodnight', a criminal’s confession before his execution. [...] Guiteau’s 'goodnight' is based on a New York broadside 'The lamentation of James Rodgers', from which it borrows entire verses, just remplacing the name of the criminal and the dates.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-CharlesGuit.html Lyle Lofgren] agrees, saying that &amp;quot;the unknown author simply took the earlier ballad 'James A. Rogers' (executed in New York in 1858) and 'zipped in'&amp;quot; the details of the Garfield case. This is no surprise; the same tune carried at least two other murder/confession ballads, 'John T. Williams' and 'Ewing Brooks'&amp;quot;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=notempty&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query] returns several collected versions which pre-date Harrell's recording, dating as far back as 1907 and from a wide geographical area (Missouri, N Carolina, Oklahoma, W Virginia).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=notempty&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query] returns several collected versions which pre-date Harrell's recording, dating as far back as 1907 and from a wide geographical area (Missouri, N Carolina, Oklahoma, W Virginia).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Given that the tune and most of the words appear to date back to at least shortly after 1858, with the remainder of the words being inserted shortly after 1882 by an &amp;quot;unknown author&amp;quot;, and in the absence of evidence of any competing claim to authorship, there are good grounds for treating this composition as '''public domain'''.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6651&amp;oldid=prev</id>
		<title>Mattwhiteski at 09:14, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6651&amp;oldid=prev"/>
		<updated>2013-06-28T09:14:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:14, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=notempty&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query] returns several collected versions which pre-date Harrell's recording, dating as far back as 1907 and from a wide geographical area (Missouri, N Carolina, Oklahoma, W Virginia)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6650&amp;oldid=prev</id>
		<title>Mattwhiteski at 08:56, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6650&amp;oldid=prev"/>
		<updated>2013-06-28T08:56:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:56, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;cross=off&amp;amp;type=Song&amp;amp;access=off&amp;amp;op=or&amp;amp;query=4619&amp;amp;field=20&amp;amp;fieldshow=multi&amp;amp;op_9=or&amp;amp;field_9=&amp;amp;op_12=or&amp;amp;field_12=&amp;amp;op_13=or&amp;amp;field_13=&amp;amp;op_14=or&amp;amp;field_14=recording&amp;amp;op_15=or&amp;amp;field_15=&amp;amp;op_47=or&amp;amp;field_47=&amp;amp;op_16=or&amp;amp;field_16=&amp;amp;op_0=or&amp;amp;field_0=&amp;amp;op_17=or&amp;amp;field_17=&amp;amp;op_10=or&amp;amp;field_10=&amp;amp;op_11=or&amp;amp;field_11=&amp;amp;op_18=or&amp;amp;field_18=&amp;amp;op_19=or&amp;amp;field_19=&amp;amp;op_20=or&amp;amp;field_20=444&amp;amp;op_21=or&amp;amp;field_21=&amp;amp;op_22=or&amp;amp;field_22=&amp;amp;op_23=or&amp;amp;field_23=&amp;amp;op_24=or&amp;amp;field_24=&amp;amp;op_5=or&amp;amp;field_5=&amp;amp;op_25=or&amp;amp;field_25=&amp;amp;op_26=or&amp;amp;field_26=&amp;amp;output=Record&amp;amp;length=5&amp;amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 444. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6649&amp;oldid=prev</id>
		<title>Mattwhiteski at 08:56, 28 June 2013</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6649&amp;oldid=prev"/>
		<updated>2013-06-28T08:56:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:56, 28 June 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]]  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Anthology Track 16 label.jpg |thumb| |left|]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Record label does not assign authorship. Nor does [http://www.78discography.com/vic20500.html www.78discography.com], [http://victor.library.ucsb.edu/index.php/matrix/detail/800012495/BVE-38237-Charles_Giteau victor.library.ucsb.edu] or either Anthology booklet.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
	<entry>
		<id>http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6647&amp;oldid=prev</id>
		<title>Mattwhiteski: Created page with &quot; File:Icon_In_Copyright.jpg '''Track 16: Kelly Harrell - Charles Giteau'''   ''Victor 20797-A; Recorded in Camden, New Jersey,23.3.1927''   [[File:Anthology Track 16 label...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_16&amp;diff=6647&amp;oldid=prev"/>
		<updated>2013-06-28T08:48:11Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; &lt;a href=&quot;/projects/index.php?title=File:Icon_In_Copyright.jpg&quot; title=&quot;File:Icon In Copyright.jpg&quot;&gt;File:Icon_In_Copyright.jpg&lt;/a&gt; &amp;#039;&amp;#039;&amp;#039;Track 16: Kelly Harrell - Charles Giteau&amp;#039;&amp;#039;&amp;#039;   &amp;#039;&amp;#039;Victor 20797-A; Recorded in Camden, New Jersey,23.3.1927&amp;#039;&amp;#039;   [[File:Anthology Track 16 label...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt; [[File:Icon_In_Copyright.jpg]] '''Track 16: Kelly Harrell - Charles Giteau'''   ''Victor 20797-A; Recorded in Camden, New Jersey,23.3.1927''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Anthology Track 16 label.jpg |thumb| |left|]] &lt;br /&gt;
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[[Parallel Anthology Research|Parallel anthology main index page]]&lt;/div&gt;</summary>
		<author><name>Mattwhiteski</name></author>
	</entry>
</feed>