Premonition 2037 - Revision history

Projects at 14:00, 13 April 2023

2023-04-13T14:00:21Z

Projects at 12:30, 27 April 2022

2022-04-27T12:30:45Z

Projects: /* Background */

2022-04-27T12:26:47Z

Background

Projects: /* Background */

2022-04-27T12:26:09Z

Background

Projects at 12:22, 27 April 2022

2022-04-27T12:22:48Z

Projects: /* Background */

2022-04-27T12:22:28Z

Background

Projects at 12:21, 27 April 2022

2022-04-27T12:21:50Z

Projects at 12:21, 27 April 2022

2022-04-27T12:21:36Z

Projects at 12:21, 27 April 2022

2022-04-27T12:21:04Z

Projects at 12:20, 27 April 2022

2022-04-27T12:20:54Z

←Older revision		Revision as of 14:00, 13 April 2023
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	== Video ==		== Video ==

−	~~{{#ev~~:youtube\|XQe5gGQ6KGk}}	+	[https://www.youtube.com/watch?v=XQe5gGQ6KGk Re-Visit: KALEIDOSCOPE Live – Open Music Archive, Premonition 2037: Lutto Lento (on YouTube)]

←Older revision		Revision as of 12:30, 27 April 2022
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	''Thursday 19th May, 7pm'' <br/>		''Thursday 19th May, 7pm'' <br/>
	[https://soundcloud.com/luttolento Lutto Lento]		[https://soundcloud.com/luttolento Lutto Lento]
		+
		+	== Video ==
		+
		+	{{#ev:youtube\|XQe5gGQ6KGk}}

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 a printed distribution element and was a commissioned project for the 50-year anniversary exhibition of Modern Art Oxford – KALEIDOSCOPE. Eileen Simpson and Ben White were one of four artists who were commissioned to make new works, exhibited alongside iconic works from the past exhibition programme, which returned to the gallery from across the globe.
-In the spirit of the 1960s project of the Modern Art Oxford (formerly The Museum of Modern Art, Oxford), to make contemporary art freely accessible to the widest audience, we produced an archive of recorded sounds – auditory traces of activity in the gallery, available for use by a future public, without restriction and beyond the scope of the current copyright term. Digitized from videotapes and audio cassettes held in the MAO archive - tape hiss, voices, musical notes, audience applause and shouts, recorded at previous public events, were collected together and processed using information retrieval technologies to form a new archive of sounds and the source material for a new audio work, pressed to vinyl, for exhibition. A series of live events took place on a specially assembled platform that occupied a temporary future date – on which invited collaborators ([https://soundcloud.com/konductorslab Bambooman], [https://www.facebook.com/YWMPOXFORD/ Young Women's Music Project] and [https://soundcloud.com/luttolento Lutto Lento]) reanimated archive sounds for live performance. Events were recorded and will be released with copyleft licenses on 1st Jan [https://en.wikipedia.org/wiki/2030s#2037 2037].
+In the spirit of the 1960s project of the Modern Art Oxford (formerly The Museum of Modern Art, Oxford), to make contemporary art freely accessible to the widest audience, we produced an archive of recorded sounds – auditory traces of activity in the gallery, available for use by a future public, without restriction and beyond the scope of the current copyright term. Digitized from videotapes and audio cassettes held in the Modern Art Oxford archive - tape hiss, voices, musical notes, audience applause and shouts, recorded at previous public events, were collected together and processed using information retrieval technologies to form a new archive of sounds and the source material for a new audio work, pressed to vinyl, for exhibition. A series of live events took place on a specially assembled platform that occupied a temporary future date – on which invited collaborators ([https://soundcloud.com/konductorslab Bambooman], [https://www.facebook.com/YWMPOXFORD/ Young Women's Music Project] and [https://soundcloud.com/luttolento Lutto Lento]) reanimated archive sounds for live performance. Events were recorded and will be released with copyleft licenses on 1st Jan [https://en.wikipedia.org/wiki/2030s#2037 2037].
 == Source Material ==

@@ Line 5: / Line 5: @@
 Premonition 2037 (2016) re-animated archival recordings, through the creation of a new installation and audio work, including
-a printed distribution element and was a commissioned project for the 50-year anniversary exhibition of Modern Art Oxford – KALEIDOSCOPE. Eileen Simpson and Ben White were one of four artists who were commissioned to make new works, exhibited alongside iconic works from the past, which returned to the gallery from across the globe.
+a printed distribution element and was a commissioned project for the 50-year anniversary exhibition of Modern Art Oxford – KALEIDOSCOPE. Eileen Simpson and Ben White were one of four artists who were commissioned to make new works, exhibited alongside iconic works from the past exhibition programme, which returned to the gallery from across the globe.
 In the spirit of the 1960s project of the Modern Art Oxford (formerly The Museum of Modern Art, Oxford), to make contemporary art freely accessible to the widest audience, we produced an archive of recorded sounds – auditory traces of activity in the gallery, available for use by a future public, without restriction and beyond the scope of the current copyright term. Digitized from videotapes and audio cassettes held in the MAO archive - tape hiss, voices, musical notes, audience applause and shouts, recorded at previous public events, were collected together and processed using information retrieval technologies to form a new archive of sounds and the source material for a new audio work, pressed to vinyl, for exhibition. A series of live events took place on a specially assembled platform that occupied a temporary future date – on which invited collaborators ([https://soundcloud.com/konductorslab Bambooman], [https://www.facebook.com/YWMPOXFORD/ Young Women's Music Project] and [https://soundcloud.com/luttolento Lutto Lento]) reanimated archive sounds for live performance. Events were recorded and will be released with copyleft licenses on 1st Jan [https://en.wikipedia.org/wiki/2030s#2037 2037].

←Older revision		Revision as of 12:22, 27 April 2022
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−	[[File:A2 poster design 2037 final v5.jpg\|265px]] [[File:Uppergallery-wide.png\|500px]] [[File:25STU 8168DPP 001.jpg\|~~560px~~]]	+	[[File:A2 poster design 2037 final v5.jpg\|265px]] [[File:Uppergallery-wide.png\|500px]] [[File:25STU 8168DPP 001.jpg\|562px]]

@@ Line 4: / Line 4: @@
 == Background ==
-Premonition 2037 (2016) re-animates archival recordings, through the creation of a new installation and audio work, including
+Premonition 2037 (2016) re-animated archival recordings, through the creation of a new installation and audio work, including
 a printed distribution element and was a commissioned project for the 50-year anniversary exhibition of Modern Art Oxford – KALEIDOSCOPE. Eileen Simpson and Ben White were one of four artists who were commissioned to make new works, exhibited alongside iconic works from the past, which returned to the gallery from across the globe.

←Older revision		Revision as of 12:21, 27 April 2022
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−	[[File:A2 poster design 2037 final v5.jpg\|~~270px~~]] [[File:Uppergallery-wide.png\|500px]] [[File:25STU 8168DPP 001.jpg\|560px]]	+	[[File:A2 poster design 2037 final v5.jpg\|265px]] [[File:Uppergallery-wide.png\|500px]] [[File:25STU 8168DPP 001.jpg\|560px]]

←Older revision		Revision as of 12:20, 27 April 2022
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−	[[File:A2 poster design 2037 final v5.jpg\|300px]] [[File:Uppergallery-wide.png\|~~520px~~]] [[File:25STU 8168DPP 001.jpg\|560px]]	+	[[File:A2 poster design 2037 final v5.jpg\|300px]] [[File:Uppergallery-wide.png\|510px]] [[File:25STU 8168DPP 001.jpg\|560px]]