Difference between revisions of "Future Projects"
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| − | We're working on a live event at The Women's Library London for the | + | We're working on a live event at The Women's Library London for the 23 September 2010 |
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| + | == Auditory Learning (working title) == | ||
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| + | We're currently developing a film project: | ||
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| + | Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes with cut-and-paste dialogue excavated from public transcripts. | ||
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| + | This hauntological experiment explores the politics of the beginnings of the recording industry at a time when emerging models of peer-to-peer distribution and collaborative production are urgently problematizing established notions around the authorship, ownership and distribution of culture. | ||
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| + | The project will announce the release of newly copyright-expired work into the public domain and will be copyleft licensed – so, like its public domain sources remains free for distribution and reuse in the future. | ||
Revision as of 12:41, 6 September 2010
The Brilliant and The Dark Live
We're working on a live event at The Women's Library London for the 23 September 2010
Auditory Learning (working title)
We're currently developing a film project:
Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes with cut-and-paste dialogue excavated from public transcripts.
This hauntological experiment explores the politics of the beginnings of the recording industry at a time when emerging models of peer-to-peer distribution and collaborative production are urgently problematizing established notions around the authorship, ownership and distribution of culture.
The project will announce the release of newly copyright-expired work into the public domain and will be copyleft licensed – so, like its public domain sources remains free for distribution and reuse in the future.
