Difference between revisions of "Auditory Learning"
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Sounds extracted from 1962 chart hit vinyl 45s – the last year that commercial recordings can be retrieved for public use until 2034, due to recent copyright revisions – to produce a public sonic inventory | Sounds extracted from 1962 chart hit vinyl 45s – the last year that commercial recordings can be retrieved for public use until 2034, due to recent copyright revisions – to produce a public sonic inventory | ||
| − | + | [http://www.openmusicarchive.org/auditorylearning Launch inventory] | |
== Images == | == Images == | ||
[[File:Auditory-learning-still-02.jpg|400px]] [[File:Auditory-learning-still-14.jpg|400px]] [[File:JJW5716.jpg|400px]] [[File:IMG_4149.JPG|400px]] [[File:British-Art-Show-8_12FEB2016-43.jpg|400px]] [[File:AL.001.jpg|400px]] | [[File:Auditory-learning-still-02.jpg|400px]] [[File:Auditory-learning-still-14.jpg|400px]] [[File:JJW5716.jpg|400px]] [[File:IMG_4149.JPG|400px]] [[File:British-Art-Show-8_12FEB2016-43.jpg|400px]] [[File:AL.001.jpg|400px]] | ||
Revision as of 04:53, 23 September 2022
Background
Auditory Learning is part of Eileen Simpson & Ben White’s ongoing project to generate public resources, using the archive as a vehicle for collaborative activity. Using tactics of hacking and gleaning they explore legal loopholes to find and distribute out-of-copyright archive material for their Open Music Archive.
Commissioned for: British Art Show 8 — Leeds Art Gallery, Leeds / Talbot Rice Gallery, Edinburgh / St George's Building Norwich University of the Arts, Norwich / Bargate Monument, Southampton Curated by Anna Colin and Lydia Yee
Leeds Art Gallery, Leeds 9 October 2015 – 10 January 2016
Talbot Rice Gallery, Edinburgh 13 February – 8 May 2016
St Georges Building, Norwich University of the Arts, Norwich 24 June - 4 September 2016
Bargate Monument, Southampton 9 October - 15 January 2017
Public Sonic Inventory
Sounds extracted from 1962 chart hit vinyl 45s – the last year that commercial recordings can be retrieved for public use until 2034, due to recent copyright revisions – to produce a public sonic inventory